Saturday, November 30, 2013

China's November factory growth clings to 18-month high



BEIJING (Reuters) – China‘s factory growth held at an 18-month high in November on firm domestic and foreign demand, defying expectations the economy faces a modest slowdown as 2013 draws to a close.


The official Purchasing Managers’ Index (PMI) stood at 51.4 in November, the National Bureau of Statistics said, unchanged from October and ahead of market expectations for a reading of 51.1.


Investors had expected the PMI, one of the earliest pieces of Chinese data released each month, to show China’s economy decelerated in the fourth quarter on slacker credit growth, fragile global demand, and slower restocking of inventories by firms.


“Growth momentum held up in November,” said Louis Kuijs, an economist at RBS in Hong Kong. “The export order data suggests that global demand – key to the outlook for China’s manufacturing – improved a bit.”


A sub-index for export orders nudged higher to 50.6 in November from 50.4 in October, hovering above the 50-point threshold separating growth from contraction.


Experts will welcome the unexpected PMI strength as a sign that China can press on with sprawling plans outlined last month to cut back central economic planning without fear of endangering growth.


After three decades of double-digit growth, analysts say China’s economy has reached a turning point where traditional growth drivers of heavy investment and brisk export sales must make way for a more sustainable expansion in consumption.


In the near-term, China’s attempt to remake its economy should foster market confidence and perhaps even offset investor jitters over tighter monetary policy, said Kuijs.


“After a mild slowdown in the fourth quarter of 2013, we expect China to benefit from improved global growth late this year and in 2014,” he said.


CAUTIOUS COMPANIES


Sunday’s PMI is the latest of a series of data confounding bets that China’s growth engine is losing steam.


Factory production, retail sales and investment had all displayed encouraging growth in October, suggesting the world’s second-largest economy is stabilising.


Still, analysts cautioned against undue optimism.


The PMI showed new orders, a measure of foreign and domestic demand, edged down to 52.3 from 52.5 in October. The production and business activity expectation sub-index also slid to 54.9 from October’s 57.5.


Liu Li Gang and Zhou Hao from ANZ Bank said China’s tightening credit conditions had lifted borrowing costs and would probably deter firms from investing heavily or expanding quickly.


The PMI survey also showed stocks of purchases fell to 47.8 in November, a low not seen since July. “This indicates that the producers are not rushing to hoard raw materials due to lack of final demand,” Liu and Zhou said.


Worried about brisk credit growth, stubbornly strong record house prices and quickening inflation, which hit an eight-month high in October, China’s leaders have signalled lately that monetary policy may be tightened slightly to cool prices.


But analysts do not expect the mild tightening to cause a sharp fall-off in growth.


A Reuters poll in October showed China’s economy is forecast to grow 7.5 percent in the fourth quarter, in line with the government’s 2013 growth forecast, but down from 7.8 percent between July and September.


For the year, economists believe growth may hit 7.6 percent, impressive by world standards, but still the worst for China in 14 years.


Tilted towards China’s bigger state-owned manufacturers, the official PMI poll is the second of three of such surveys to be published each month.


The final HSBC PMI is scheduled for release on Monday at 0145 GMT. Unlike its official peer, it favours smaller and private companies. A flash HSBC PMI issued last month for November showed factory growth eased to 50.4 from October’s 50.9, though some analysts say the survey is more volatile than the official poll.


(Reporting by Koh Gui Qing; Editing by Clarence Fernandez)





China's November factory growth clings to 18-month high

Effie Trinket Is The Best 'Catching Fire' Character: Here's Why







What’s the best part of “The Hunger Games: Catching Fire“? Is it the upgrade in special effects? The renewed focus on the love triangle? Buttercup the cat finally being the right color? Nope, it’s Effie Trinket, played by Elizabeth Banks who steals the show. Here’s 13 reasons why Effie rocks:


“Chins up, smiles on!”



She knows how to welcome you to a party.



She’s got a sixth sense for when things are mahogany.




We don’t ship Peetnis, we ship Peffie.



Correction: we ship Hayffie.



Who else could pull off a dress made out of butterflies?



Or this dress?



Or this one?



Her face at the reaping when she has to pick Katniss’ name from a nearly empty bowl. Oh god the feels.



Effie’s anguish and terror says more than Katniss and Peeta’s defiance.



She stands by her friends, even if they don’t always stand by her.



When Effie cries, we cry.



Her act of defiance.



That act of defiance? Effie’s hair is gold, and she has them all wear gold to show they stand together. Katniss takes her hand, they all smile, and we realized that Effie has a bigger character arc in “Catching Fire” than the rest of the characters combined. As for how that will pan out in “Mockingjay“? Stay tuned, Tributes.


“The Hunger Games: Catching Fire” is now in theaters.










Effie Trinket Is The Best 'Catching Fire' Character: Here's Why

Appeal date 'set' for Egypt female protesters



A group of 14 women protesters will formally appeal against their 11-year jail sentences on December 7, their lawyer has said.


An appeal by seven girls, all under the age of 18 and part of the same case, will be heard by a separate court for juveniles on the same day, Ayman Dali told the AFP news agency.


“Their appeals have been submitted and the appeals session has been set for December 7,” Dali said.


On Wednesday, an Egyptian court in the Mediterranean city of Alexandria sentenced the women who it said were members of the Muslim Brotherhood movement to 11 years in jail.


The seven girls were sent by the court to a juvenile detention centre until they reach the age of 18.


The verdicts triggered an outcry from activists and rights groups, with some calling on Egypt’s interim president Adly Mansour to pardon them.


Full pardon


On Friday, the government said that the convicted women would be pardoned after their cases were processed by the court.


“President Adly Mansour will issue a full pardon to the Alexandria females after the final judicial process is completed in accord to the constitution,” a presidential adviser said in a statement circulated to journalists on Friday.


The legal process will still go through the appeal and cessation court processes, the statement added.


US Defense Secretary Chuck Hagel expressed Washington’s concern over the arrests in the context of a restrictive new protest law.


“Secretary Hagel noted that the Egyptian government’s response to free expression will demonstrate the interim government’s commitment to a non-violent, inclusive and sustainable democratic transition,” the Pentagon said.


Hagel’s comments came during a phone call with Egypt’s military chief Abdel Fattah al-Sisi on a range of topics.


Knives and rocks


The prosecutor general’s office charged that the women fought with knives and threw rocks during October 31 clashes in Alexandria between supporters and opponents of ousted president Mohamed Morsi.


Six men, said to be Brotherhood leaders, were also tried in absentia in the same case and sentenced to 15 years. They were found guilty of inciting the women to cut key roads in the city during the clashes.


Amnesty International severely criticised the verdicts against the female protesters.


It said the conviction and imprisonment of the “21 female protesters, including seven girls … shows the Egyptian authorities’ determination to punish dissent.”


“These women and girls should have never been arrested,” Amnesty International’s deputy director for the Middle East and North Africa Hassiba Hadj Sahraoui said in a statement.  


The appeal hearings will be held in Alexandria.





Appeal date 'set' for Egypt female protesters

China Will Launch Its 1st Moon Rover, 'Jade Rabbit,' On Sunday




China is counting down to the launch of its first moon landing mission, a mission poised to blast off Sunday (Dec. 1) to send the country’s first lunar lander and rover to Earth’s nearest neighbor.



China’s first moon rover is called Yutu, which means “Jade Rabbit” in Chinese, according to state media reports. It will launch with the Chang’e 3 moon lander on Sunday 12:30 p.m. EST (1730 GMT), though it will be 1:30 a.m. Monday, Dec. 2 at China’s Xichang Satellite Launch Center.



If all goes well, the Chang’e 3 mission will land on the moon on Dec. 14, according the European Space Agency, which is providing mission tracking of the lander and rover for China’s space agency. [See Photos of China's Yutu Moon Rover and Chang'e 3 Lander]



China’s first moon rover and lander



China’s Yutu rover is a six-wheel robot that weighs nearly 310 lbs (140 kilograms) and is equipped with two solar panels for power. A global online poll was used to come up with suggested names for the robot. In the final round of voting, about 650,000 people out of more than 3.4 million chose Yutu.



“Yutu is a symbol of kindness, purity and agility, and is identical to the moon rover in both outlook and connotation. Yutu also reflects China’s peaceful use of space,” said Li Benzheng, deputy commander-in-chief of China’s lunar program. Li announced the name at a press conference in Beijing on Tuesday (Nov. 26).



Yutu is a pet rabbit that travels with the goddess Chang’e to the moon in Chinese legends. China has named each of its three moon missions so far after Chang’e.



If all goes well, the Chang’e 3 mission will mark the first time a Chinese spacecraft has soft-landed on the surface of an extraterrestrial body. The spacecraft’s landing, if successful, would also mark the first soft lunar landing since the former Soviet Union’s Luna 24 sample return mission in 1976.



A new moon exploration phase



China’s Yutu rover onboard the Chang’e 3 lunar lander is scheduled to land on the moon in mid-December. Once deployed, the robot can explore the surface for three months, according to mission descriptions.



The moon robot reflects a shift into the second phase of China’s lunar exploration program, a step-by-step agenda that entails orbiting and landing probes, followed by the return to Earth of lunar samples.



China’s Chang’e 1 and Chang’e 2 moon orbiter missions launched in 2007 and 2010, respectively. The country expects to have a robotic spacecraft return lunar samples to Earth by 2020.



As the countdown draws closer for liftoff of Chang’e 3 atop a Long March 3B rocket— reportedly modified with new technologies and improved reliability — there is caution being added by Chinese space officials: the voyage to the moon is risky business.



“More than 80 percent of the technology adopted in the mission is new, and with new technology and products carrying out new tasks, there are certainly great risks,” said Li, as reported in China Daily. “It could be a trying process for the rover to move down the lander,” he said.



Li said that to ensure the success of this mission, tracking and control networks have been set up in areas including China’s northwestern Xinjiang Uygur autonomous region and northeastern Heilongjiang province. Their capabilities, he said, are close to the current world standard.



Target: Bay of Rainbows?



It is believed that the Chang’e 3 lander will set down on the moon’s Sinus Iridum, known as the Bay of Rainbows, a plain of basaltic lava on the moon.



The region is a great place to rove, said Mark Robinson of Arizona State University’s School of Earth and Space Exploration and pri Lunar Reconnaissance Orbiter Camera (LROC) Principal Investigator on NASA’s Lunar Reconnaissance Orbiter.   



Robinson told SPACE.com that the exact landing spot for China’s lander has not officially been announced, but it seems likely the touchdown spot will take place in Sinus Iridum, near the fresh crater Laplace A, a feature 5 miles (8 kilometers) in diameter.



The powerful Lunar Reconnaissance Orbiter Camera is expected to target Chang’e 3 on the moon surface. The camera has easily identified previous lunar landers and Apollo landing sites.



Robinson said in an earlier SPACE.com interview that “it will be fun to watch the rover move away from the lander, perhaps heading to Laplace A, which is a very spectacular crater.”



Leonard David has been reporting on the space industry for more than five decades. He is former director of research for the National Commission on Space and is co-author of Buzz Aldrin’s new book “Mission to Mars – My Vision for Space Exploration” published by National Geographic. Follow us @Spacedotcom, Facebook and Google+. Original article on SPACE.com.


Copyright 2013 SPACE.com, a TechMediaNetwork company. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.




China Will Launch Its 1st Moon Rover, 'Jade Rabbit,' On Sunday

Effie Trinket Is The Best 'Catching Fire' Character: Here's Why







What’s the best part of “The Hunger Games: Catching Fire“? Is it the upgrade in special effects? The renewed focus on the love triangle? Buttercup the cat finally being the right color? Nope, it’s Effie Trinket, played by Elizabeth Banks who steals the show. Here’s 13 reasons why Effie rocks:


“Chins up, smiles on!”



She knows how to welcome you to a party.



She’s got a sixth sense for when things are mahogany.




We don’t ship Peetnis, we ship Peffie.



Correction: we ship Hayffie.



Who else could pull off a dress made out of butterflies?



Or this dress?



Or this one?



Her face at the reaping when she has to pick Katniss’ name from a nearly empty bowl. Oh god the feels.



Effie’s anguish and terror says more than Katniss and Peeta’s defiance.



She stands by her friends, even if they don’t always stand by her.



When Effie cries, we cry.



Her act of defiance.



That act of defiance? Effie’s hair is gold, and she has them all wear gold to show they stand together. Katniss takes her hand, they all smile, and we realized that Effie has a bigger character arc in “Catching Fire” than the rest of the characters combined. As for how that will pan out in “Mockingjay“? Stay tuned, Tributes.


“The Hunger Games: Catching Fire” is now in theaters.










Effie Trinket Is The Best 'Catching Fire' Character: Here's Why

Rough Copy bounce back on X Factor



Fortunes have changed once again in the X Factor quarter finals, as Tamera Foster had a “Leona Lewis moment” and Rough Copy bounced back with aplomb.


Host Dermot O’Leary announced it was “double trouble”, with each X Factor finalist singing two songs – one voted for by the public and the other chosen by each contestant as a song by their musical hero.


Gary Barlow warned that “some of the acts will be in trouble” as this week the emphasis was on versatility.


Tamera, who has forgotten her lyrics three times so far, was determined not to make the same mistake again.


After seeing a hypnotherapist this week, the 16-year-old from Kent vowed: “I’ve got to remember the lyrics this week, there is no room for mistakes. I’ve definitely had a lot of chances so this week is do or die.”


Following a flawless rendition of Rihanna’s We Found Love, Gary said: “It’s not about the fall. It’s how you get up after the fall. You have come back this week with a really strong performance.”


Tamera’s second performance was Roberta Flack’s The First Time Ever I Saw Your Face, as voted for by the public.


Louis Walsh called it a “Leona Lewis moment” as the winner of the third series of X Factor had sung that song.


Favourite to win Sam Bailey chose Whitney Houston’s How Will I Know, revealing that the last time she sung a Whitney song was when she was 16 at a holiday camp.


Nicole Scherzinger said she felt it was “like a cruise ship version of that song” but Sharon Osborne hit back, saying: “I think the cruise ship you saw her on was called the O2.”


The public chose Emeli Sande’s Clown, a song which Sam said made her think of her two children.


Gary told the 35-year-old she was a “superb singer” and Nicole said she had just one word: “astounding”. Sharon gushed: “Tonight you moved me, you touched my soul, I love you.”


Judges were not won over by Nicholas McDonald’s opening performance of Just The Way You Are by Bruno Mars.


Sharon told the Scottish 17-year-old: “Now is the time that the inner Nicholas has to come out and you have to be like a lion.”


Gary said: “Risk is a key factor at this point in the competition. Right now it’s just a little bit too middle of the road.”


Nicholas admitted he was taking a “massive risk” by choosing Take That’s The Greatest Day as the song by his musical hero.


But Louis reassured him that the risk “totally paid off” adding: “You know what you remind me off – a young Gary Barlow.”


Sharon agreed: “I felt the passion. Not only could I feel it I could see it in your eyes. I could feel that inner beast rising within your soul.”


Luke Friend sang Skinny Love by Bon Iver first, then for his musical hero song he picked Mumford & Sons’ I Will Wait.


Louis said of Friend’s first song “I didn’t have the heart to tell him that I hate that song”.


But after the second performance, the judge asserted: “You deserve to get a record deal. I think you are the one to watch.”


Luke, who admitted that he used to put on shows for his family and charge them £1 to come into his room to hear him perform, was praised by Gary: “Overall the vibe was fantastic, the whole studio loved it.”


After finishing in the bottom two last week, Rough Copy made a fierce comeback tonight with a megamix of R Kelly’s She’s Got That Vibe and Bobby Brown’s Every Little Step.


Nicole told the R’n'B trio: “You boys deserve to be in the finals, absolutely.”


Gary added: “This is the way to get back into this competition, great job.”


The audience booed Louis as he said: “I thought it was good, I didn’t think it was great. The vocals were a little bit weak.”


Voters chose R Kelly’s I Believe I Can Fly. Nicole called it an “uplifting performance” adding: “You took us to RC church – a little bit of heaven.”


The acts will return on Sunday night when they find out who will make it to the semi finals.





Rough Copy bounce back on X Factor

Sacred Shrines Become 'Ticking Time Bomb'



The supreme leader of the Palestinian Muslims and guardian of Islam’s most sacred shrine in the Old City of Jerusalem has warned of an uprising and regional war if Jews attempt to take greater control of the al Aqsa Mosque complex.



The warning came amid advancing efforts in the Israeli parliament to try to take administrative control of the sacred Islamic site which Jews also lay claim to as it sits on the remains of their Second Temple.



For now “sovereignty” of the Haram al Sharif, as the complex is traditionally known, lies with Jordan.



But several Knesset members, led by deputy speaker Moshe Feiglin, a member of the Likud Party, are pressing for greater access to Jews for prayer on the site and administrative control of it.



“It is the hard core of our identity … those places that represent the basis for our existence here altogether. Should we insist on [access to] these places or not?” Mr Feiglin told Sky News.



“Because if we cannot insist on our legitimacy on our basic rights to pray in the most holiest place for the Jews in the land of Israel -  under Israeli sovereignty in the middle of Jerusalem – then we’re losing our legitimacy not just in Jerusalem, in Tel Aviv, but everywhere else.”



The Knesset member is a forceful rejectionist of talks with the Palestinians aimed at establishing an independent state on the West Bank and in Gaza.



He believes that Israel is a threat to itself by ceding territory it captured in 1967 and has occupied since then. On the issue of what Jews call the Temple Mount, he is equally unbending.



“I don’t need to prove anything, history says it all. Any honest person who learned a bit of history knows the truth – Jerusalem belongs to the Jews and to the Jews only, that’s a fact. And by the way the Temple Mount never really interested Muslims before the Israelis came back.”



The Mohammed Hussein, the Grand Mufti of Jerusalem, issued a stark warning against any attempts to replace the Muslim administration of the Haram al Shari/Temple Mount in an exclusive interview with Sky News.



“If the Israelis come here it will be more than an intifada,” he said.



What do you mean more than an intifada?



“The whole region will be engulfed by war,” the Grand Mufti insisted.



Such threats are not idle.



In 2000, Ariel Sharon triggered the Second or “al Aqsa” Intifada which led to the deaths of 4,000 people and many more wounded over the next half decade by insisting on his right to visit the shrine.



He did so at a time of heightened tension when 10 years of talks aimed at ending the Israeli occupation of the West Bank and Gaza appeared to Palestinians to be going nowhere – and when they were also frustrated at the ineptitude and corruption of their own leadership.



Today, peace talks are going nowhere. The Palestinians have been letting Jewish settlements chew into their lands on the West Bank. Their leadership remains corrupt and incompetent – and are increasingly being seen as collaborators.



The tinder box that Mr Sharon, then leader of the Israeli opposition, lit in 2000 is just as dry now.



“It’s a huge and dangerous issue – taking the place from Muslims where they believe they have the right to pray is very dangerous,” Grand Mufti Hussein said.



Jews are banned from praying on the holy site by the Israeli police, although the courts have found that they should be able to exercise this right.



They are also forbidden, when they do visit, from removing so much as a leaf or a grain of soil.



Sky News joined a small group who were escorted by an Israeli policeman, who monitored their progress on a pre-set route around the outer edge of the 35-acre complex.



They prayed by talking to themselves as they walked, or by pretending to be in conversations and instead reciting invocations.



They were led by Rabbi Yitzchak Reuven, assistant director of The Temple Institute which is dedicated to restoring the temple to its third incarnation and is collecting the sacred vessels that one day it hopes will be used there.



A model of the Third Temple has pride of place in the Temple Institute Museum just 100 yards from the Western Wall – all that remains of the Second Temple since its destruction by Rome in 70AD.



Rabbi Reuven said: “It’s not a fantasy at all because we have the instructions of what needs to be done, we have the information, we have the technology to achieve all these things.



“In terms of arriving at the moment that’s a historical process, we don’t expect a metaphysical change in the world, we don’t expect a divine intervention that’s going to set things right.”



His ambition may have a purely theological intent, but it also poses an explosive political reality.



He is sanguine.



“We’re hoping by increasing awareness we will be closer to achieving the dream of the Jewish people and one that we have for the entire world because as Isaiah says this shall be a house of prayer for all nations.”





Sacred Shrines Become 'Ticking Time Bomb'

'Hunger Games: Mockingjay, Part 1': Why You Shouldn't Expect 'Flamboyant' Costumes







The final book in the “Hunger Games” trilogy, “Mockingjay,” is a much bleaker affair than the previous two. Considering it’s the only one without a government-sponsored, televised fight to the death for entertainment purposes, that’s quite a feat. While the first two movies alternated between the run-down districts, the flamboyant Capitol, and the uniformed Hunger Games, the third movie in the series — which will encompass the first half of “Mockingjay” — will take place in the secret underground city of District 13.


Christian Cordella, a costume illustrator who worked on the first “Hunger Games” movie, is currently hard at work sketching the outfits you’ll see on Katniss and the rest of the rebels who escaped to the underground refuge in “Mockingjay.” He told MTV News that the look of the third movie’s costumes will be much tamer than the first two.



“It’s underground, so it’s not going to be too much of the flamboyant dresses,” he said. The District 13 clothes are more subdued, more military in nature than the Capitol finery.


While Cordella didn’t work on the now-in-theaters “Catching Fire,” he had a hand in bringing Suzanne Collins’ descriptions of each character to life in the first movie.


“On the first one I worked on pretty much everything from the fire dress to the Hunger Games suit,” he explained. “Hopefully they matched the expectations of the viewers. That’s the hope when you approach one of these kinds of movies.”


A costume illustrator works in tandem with the costume designer, director, and producers of a film to shape the look of each character’s costume. “It’s a tool; we are able to help make an idea clear for the director, the producers,” he said. “A lot of these people need to see where they’re going to invest their money, what’s going to be done with it. Costume illustration helps them have a better understanding of what’s really happening — what kind of fabric, what kind of design.”


With a project like “The Hunger Games,” the costume designer and illustrator are tasked with the seemingly impossible job of translating the fantastic elements from the written word to reality, something that was especially hard with the first film.


“With a movie like the first ‘Hunger Games,’ you start from scratch,” Cordella told us. “In the book it says things that really don’t make any sense realistically, because with the fantasy of writing, the mind can go [anywhere]. Then when you try to make it real you start to understand what works and what doesn’t.”


Translating a look from the page to the screen does give the designers some amount of freedom, but there are other considerations too. “You have more freedom to experiment with the characters in the situations,” he said, “but you’re also taking into account how many people are involved in the process, the budget, what you can do. So whatever you see on the movie screen at the end is the best that could have been done in that situation.”










'Hunger Games: Mockingjay, Part 1': Why You Shouldn't Expect 'Flamboyant' Costumes

Bruce Springsteen's 'Born To Run' Manuscript Up for Auction











<!– –>


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Bruce Springsteen fans with plenty of spare cash will have an opportunity to own a unique piece of history next week. On December 5th, Sotheby’s will be auctioning an early working draft of the lyrics to Springsteen’s 1975 hit, “Born to Run.”



According to the notes from the auction house, the lyrics on the sheet were hand-written by a 26-year-old Springsteen in West Long Branch, New Jersey in early 1974. Most of the lyrics in this early draft did not make it into the final version, but Springsteen’s marginal notes and alternate word choices offer remarkable insight into his working methods and his thought process as he developed the lead single off his third album.



See Where ‘Born to Run’ Ranks Among the 500 Greatest Songs of All Time



“Although Springsteen is known to have an intensive drafting process, few manuscripts of ‘Born to Run’ are available, with the present example being one of only two identified that include the most famous lines in the song,” according to the auction notes. “This iteration expresses the darkness that the early versions are known for, but has the distinction of a nearly perfected chorus.”



The autographed manuscript page, written in blue ink on a single sheet of ruled notebook paper, comes from the collection of Mike Appel, Springsteen’s former manager and a co-producer of the Born to Run album. The draft is expected to fetch between $70,000 and $100,000, according to Sotheby’s pre-sale estimate. 



Springsteen’s latest album, High Hopes, which contains a mix of covers, studio outtakes, and re-recorded originals, is due out on January 14th.





Bruce Springsteen's 'Born To Run' Manuscript Up for Auction

'World's Ugliest Dog' Elwood dies in New Jersey



(Reuters) – Elwood, the Chihuahua and Chinese Crested mix whose unusual appearance won him the 2007 title of World’s Ugliest Dog, has died unexpectedly at the age of 8, his owner said on Saturday.


“It was very sudden,” said a tearful Karen Quigley, 52, of Sewell, New Jersey, who adopted Elwood in 2006. The homely but lovable 5-pound (2.3-kg) canine died Thursday, on Thanksgiving morning.


“He was in my arms,” Quigley said. She said the veterinarian believed he might have had some kind of cancer.


Elwood was dark and practically hairless – except for a tuft of white hair on his forehead – and had a long, protruding tongue.


A breeder had deemed Elwood too ugly to sell and was planning to euthanize him, but he was taken in by one of the breeder’s friends. Quigley adopted him in when he was 9 months old.


After winning the annual “World’s Ugliest Dog” contest held in California, he developed a legion of fans who sent him letters and postcards. This led Quigley to write “Everyone Loves Elwood,” a children’s book about self-acceptance.


Elwood had “a magical power to make people smile and laugh” that made him very attractive, especially to children, said Quigley. Elwood would pose for photos with people at charitable events.


“He was the most beautiful dog I’ve ever seen … ” said Quigley, who has rescued other dogs as well. “He taught children it’s OK to be different.”


(The story corrects metric conversion in paragraph 2.)


(Reporting by Mary Wisniewski, editing by Ian Simpson and Gunna Dickson)





'World's Ugliest Dog' Elwood dies in New Jersey

'Hunger Games: Mockingjay, Part 1': Why You Shouldn't Expect 'Flamboyant' Costumes







The final book in the “Hunger Games” trilogy, “Mockingjay,” is a much bleaker affair than the previous two. Considering it’s the only one without a government-sponsored, televised fight to the death for entertainment purposes, that’s quite a feat. While the first two movies alternated between the run-down districts, the flamboyant Capitol, and the uniformed Hunger Games, the third movie in the series — which will encompass the first half of “Mockingjay” — will take place in the secret underground city of District 13.


Christian Cordella, a costume illustrator who worked on the first “Hunger Games” movie, is currently hard at work sketching the outfits you’ll see on Katniss and the rest of the rebels who escaped to the underground refuge in “Mockingjay.” He told MTV News that the look of the third movie’s costumes will be much tamer than the first two.



“It’s underground, so it’s not going to be too much of the flamboyant dresses,” he said. The District 13 clothes are more subdued, more military in nature than the Capitol finery.


While Cordella didn’t work on the now-in-theaters “Catching Fire,” he had a hand in bringing Suzanne Collins’ descriptions of each character to life in the first movie.


“On the first one I worked on pretty much everything from the fire dress to the Hunger Games suit,” he explained. “Hopefully they matched the expectations of the viewers. That’s the hope when you approach one of these kinds of movies.”


A costume illustrator works in tandem with the costume designer, director, and producers of a film to shape the look of each character’s costume. “It’s a tool; we are able to help make an idea clear for the director, the producers,” he said. “A lot of these people need to see where they’re going to invest their money, what’s going to be done with it. Costume illustration helps them have a better understanding of what’s really happening — what kind of fabric, what kind of design.”


With a project like “The Hunger Games,” the costume designer and illustrator are tasked with the seemingly impossible job of translating the fantastic elements from the written word to reality, something that was especially hard with the first film.


“With a movie like the first ‘Hunger Games,’ you start from scratch,” Cordella told us. “In the book it says things that really don’t make any sense realistically, because with the fantasy of writing, the mind can go [anywhere]. Then when you try to make it real you start to understand what works and what doesn’t.”


Translating a look from the page to the screen does give the designers some amount of freedom, but there are other considerations too. “You have more freedom to experiment with the characters in the situations,” he said, “but you’re also taking into account how many people are involved in the process, the budget, what you can do. So whatever you see on the movie screen at the end is the best that could have been done in that situation.”










'Hunger Games: Mockingjay, Part 1': Why You Shouldn't Expect 'Flamboyant' Costumes

Carmakers rev up for return to Iran market



Major carmakers and parts suppliers showed up in Tehran on Saturday to assess the Iranian market’s “considerable potential,” just one week after Iran’s historic nuclear agreement with world powers.


The International Conference of the Automotive Industry, the first such event in Iran, has brought together more than 150 companies from around the globe, according to organisers.


The key industry has been battered for more than a year by Western sanctions on Iran over its nuclear programme.


Industry Minister Mohammad Reza Nematzadeh said he wanted “more cooperation with foreign companies,” including French manufacturers Peugeot and Renault, both of which have had a long history of doing business with Iran.


Nematzadeh said he hoped for the lifting of sanctions on the car industry “by the end of December.”


Iran and world powers reached an interim deal last week in Geneva, with Tehran agreeing to partially roll back its nuclear work in exchange for limited sanctions relief, including measures imposed on the car industry.


In 2011, Iran had the 11th largest car market in the world and was the 13th automobile producer.


Patrick Blain, president of the International Organisation of Motor Vehicle Manufacturers, told AFP of “considerable potential” in the Iranian market.


“There is no reason not to come back,” he said, adding that Iran could manufacture 1.6 million vehicles in 2014, the same number as it produced in 2011.


He highlighted the low car saturation rate of 89 vehicles per 1,000 people, less than China, in a country with a population of nearly 77 million and a yearly per capita GDP of almost $12,500.


Clear government support


Gilles Normand, director of operations for Renault in the Asia-Pacific market, said the Middle East represented a “future market” for all manufacturers.


In Iran, “50 percent of the fleet of over 20 million vehicles is more than 25 years old,” said Normand, whose company’s activities in Iran have been severely affected by US sanctions.


Renault, present since 2004 in Iran, sold more than 100,000 cars in 2012, accounting for 10 percent of the market.


Peugeot, which left Iran in spring 2012, sold 458,000 vehicles the previous year in Iran.


The French firm has renewed ties with its longstanding partner, Iran Khodro, said a source within Iran’s top car manufacturer.


“We had good talks,” the source told AFP.


Sasan Ghorbani, the conference organiser, said government officials “were very clear about their support for foreign investors.”


“There have been very good meetings here that will lead to future agreements,” he told AFP.


But for participants, the economic recovery can only materialise if sanctions are eased and curbs lifted on financial transactions as quickly as possible.


Normand said he preferred to wait for implementation of the agreement signed in Geneva, expected to come into force in January.


“We have a pragmatic policy, we respect international sanctions,” he said, while adding that talks with suppliers were underway to resume operations in Iran.





Carmakers rev up for return to Iran market

Clancy given perfect Strictly score



Model Abbey Clancy and her partner Aljaz Skorjanec were given the first perfect score of the series on Strictly Come Dancing tonight.


The judges heaped praise on the couple as they marked their stunning salsa 40 out of 40.


Bruno Tonioli said Clancy was “the disco diva” while Craig Revel Horwood described their routine as “absolutely amazing”.


Darcey Bussell told her: “Finally you are oozing confidence in the Latin. A five-star performance.”


Clancy wore a frilly red dress for a flawless performance to You Should Be Dancing from Saturday Night Fever.





Clancy given perfect Strictly score

PM and Clegg vow energy bills cut



David Cameron and Nick Clegg made a bid to blunt Labour’s attack over energy tonight by pledging to cut household bills by £50.


The Prime Minister and his Liberal Democrat deputy said they had a “credible” plan to reduce the burden on consumers by re-working green levies.


The cost of the Energy Company Obligation (ECO) scheme is set to be halved by giving power firms two years longer to hit targets, while other charges will be funded from general taxation in future.


But both men insisted that the shake-up will not compromise the Government’s environmental drive – saying people who buy new homes will be handed up to £1,000 to spend on energy-saving measures.


The announcement comes ahead of Chancellor George Osborne’s autumn statement on Thursday, where he is expected to give full details of the deal with the ‘Big Six’ companies.


There has been speculation that some of the suppliers will promise to freeze charges until 2015 – as long as wholesale market costs do not spike.


The coalition has been on the back foot over the energy issue since Ed Miliband said Labour would freeze prices for 20 months if he wins the election.


But in a joint article for the Sun on Sunday, Mr Cameron and Mr Clegg accused the Opposition leader of “taking people for fools”.


“Energy companies would hike up prices both before and after the freeze – so families would end up paying more.


“Not only that – by cutting investment in green energy, their freeze would threaten thousands of jobs.


“Labour’s con is the worst of all worlds. When an offer sounds too good to be true it usually is.”


They insisted the Government was putting forward “a serious and credible plan that actually works”.


“Later this week, we’ll announce further help: proposals that will be worth around £50 on average to energy bill-payers. We’re doing it without taking any help away from poor families or sacrificing our green commitments; and in a way that will keep Britain’s lights on in the long-term too.”


The pair added: “Alongside the Green Deal, when you buy a new home, you could get up to £1,000 from Government to spend on important energy-saving measures – equivalent to half the stamp duty on the average house – or even more for particularly expensive measures.


“It’s an all-round win: better insulation means cheaper bills; it’s how we cut carbon emissions; and it will boost British businesses who provide these services.”


Mr Cameron and Mr Clegg insisted no families on lower incomes would lose “a penny of help” with energy-saving measures.


Carbon reduction targets would also still be met under the new arrangements, they argued.


But shadow chancellor Ed Balls accused the Government of “half measures and panicky climbdowns”.


“After last year’s Budget, Chancellor George Osborne was forced into chaotic U-turns on the pasty tax, the caravan tax and the charities tax,” he wrote in the Sunday Mirror.


“This time the U-turns have started before he’s even made his speech.


“With four days until the autumn statement, we’ve already had panicky changes in government policy: on payday loans, cigarette packaging, energy subsidies and bank lending…


“On energy, the test for George Osborne is this: whatever he announces must both stop bills rising this winter and make the energy companies pay for it, not the taxpayer.


“We don’t need more half-measures and panicky climbdowns from the Omnishambles Chancellor. Only a price freeze will do.”


In an article for the Mail on Sunday, Tory backbencher Dominic Raab urged Mr Cameron to come up with “bold” policies to combat Mr Miliband’s offer in 2015.


“Conservatives should offer a triple-lock promise: to reduce the tax burden by 2020, not to increase personal taxes, and apply a one-in, one-out rule to any other new taxes,” he wrote. “To do so we must rein back further stubbornly high public spending.


“We can save £17.6 billion by steps including halving the number of Government departments and means testing more benefits such as winter fuel and bus passes.


“We should cut employers’ National Insurance and business rates to power job creation and level the high street’s playing field with online retailers.”


He added: “We should cut the basic and higher rates of income tax by a penny each. Long term, we should merge NI and income tax – and move to two rates at 15% and 35%, to boost UK competitiveness and reward hard work and ambition.”


EDF welcomed the move, and said it did not expect to raise prices again before 2015.


“EDF Energy’s decision to hold back the full impact of rising costs earlier this month has been validated by tonight’s confirmation that the Government will take action on energy charges,” the firm said in a statement.


“EDF Energy was the only major energy company to lessen the impact of higher charges in advance because it was confident that action could be taken to reduce costs.


“Following this news, EDF Energy expects to be able to maintain its lower price rise of 3.9%, as anticipated. That decision left customers with bills £80-96 lower than major competitors who had announced price increases.


“The company looks forward to hearing more detail from the Government, but does not anticipate that EDF Energy’s prices will rise again in 2014. Customers should expect other energy suppliers to follow EDF Energy’s lead by significantly lowering their prices.”




Source Article from http://uk.news.yahoo.com/energy-bills-could-drop-50-000857929.html



PM and Clegg vow energy bills cut

'Hunger Games: Mockingjay, Part 1': Why You Shouldn't Expect 'Flamboyant' Costumes







The final book in the “Hunger Games” trilogy, “Mockingjay,” is a much bleaker affair than the previous two. Considering it’s the only one without a government-sponsored, televised fight to the death for entertainment purposes, that’s quite a feat. While the first two movies alternated between the run-down districts, the flamboyant Capitol, and the uniformed Hunger Games, the third movie in the series — which will encompass the first half of “Mockingjay” — will take place in the secret underground city of District 13.


Christian Cordella, a costume illustrator who worked on the first “Hunger Games” movie, is currently hard at work sketching the outfits you’ll see on Katniss and the rest of the rebels who escaped to the underground refuge in “Mockingjay.” He told MTV News that the look of the third movie’s costumes will be much tamer than the first two.



“It’s underground, so it’s not going to be too much of the flamboyant dresses,” he said. The District 13 clothes are more subdued, more military in nature than the Capitol finery.


While Cordella didn’t work on the now-in-theaters “Catching Fire,” he had a hand in bringing Suzanne Collins’ descriptions of each character to life in the first movie.


“On the first one I worked on pretty much everything from the fire dress to the Hunger Games suit,” he explained. “Hopefully they matched the expectations of the viewers. That’s the hope when you approach one of these kinds of movies.”


A costume illustrator works in tandem with the costume designer, director, and producers of a film to shape the look of each character’s costume. “It’s a tool; we are able to help make an idea clear for the director, the producers,” he said. “A lot of these people need to see where they’re going to invest their money, what’s going to be done with it. Costume illustration helps them have a better understanding of what’s really happening — what kind of fabric, what kind of design.”


With a project like “The Hunger Games,” the costume designer and illustrator are tasked with the seemingly impossible job of translating the fantastic elements from the written word to reality, something that was especially hard with the first film.


“With a movie like the first ‘Hunger Games,’ you start from scratch,” Cordella told us. “In the book it says things that really don’t make any sense realistically, because with the fantasy of writing, the mind can go [anywhere]. Then when you try to make it real you start to understand what works and what doesn’t.”


Translating a look from the page to the screen does give the designers some amount of freedom, but there are other considerations too. “You have more freedom to experiment with the characters in the situations,” he said, “but you’re also taking into account how many people are involved in the process, the budget, what you can do. So whatever you see on the movie screen at the end is the best that could have been done in that situation.”










'Hunger Games: Mockingjay, Part 1': Why You Shouldn't Expect 'Flamboyant' Costumes

Arab Bedouins protest against Israeli plan to move them into towns



By Noah Browning


HAIFA, Israel (Reuters) – Hundreds of Bedouin Arabs and their supporters clashed with Israeli forces on Saturday in protests against a government plan to force 40,000 Bedouins living in the southern Negev region to leave their villages.


The plan has not only angered the Bedouins but also spurred many other young Arab citizens of Israel to associate it with Israel’s occupation of Arab East Jerusalem and the West Bank, and so identify themselves more closely with demands for a Palestinian state.


The historic heart of Haifa, Israel’s northern port city on the Mediterranean, was brought to a standstill as hundreds of Israeli Arabs scuffled with scores of security forces.


Police fired stun grenades and water cannon at the youths, who blocked a main thoroughfare and chanted: “With our souls and blood we will defend you, Palestine!”


Over 1,000 demonstrated in the largest gathering, in Hura, in Israel’s Negev Desert. Stone-throwers clashed with police, who used tear gas, stun grenades and water cannon.


Eyewitnesses said several demonstrators had been injured. An Israeli police spokesman said at least 28 people had been arrested in Haifa and Hura and some 15 officers treated for injuries.


A bill set for a final vote in parliament before the end of the year provides for 40,000 Arab Bedouins from many villages that are “unrecognised” by the Israeli state to be forced to move into seven townships.


Bedouins, other Arab citizens of Israel and Palestinians in the occupied West Bank all say the plan is a land grab meant to benefit Jews at their expense, and point to the lack of progress in the latest, U.S.-backed peace talks between Israel and Palestinians.


“WE WILL RESIST”


“We were here before Israel. What they’re doing in the Negev is what they’ve done to us all along,” Haneen Zoabi, an Arab member of parliament, told Reuters at the Haifa protest.


“It may pass a vote, but the youth here and in the Negev will resist democratically in any way possible, and stop them.”


Other demonstrations took place near the old city of Arab East Jerusalem, another Arab town in central Israel and an area adjoining a Jewish settlement in the West Bank, where tear gas was used to scatter protesters.


Prime Minister Benjamin Netanyahu condemned the protests.


“The attempts of a boisterous and violent minority to deny a better future for a large population are grave. We will continue to promote this law for the better future that it will provide for all the Negev’s citizens,” Netanyahu said.


Israel says it will compensate many of the Bedouins with a combination of land and cash, and “bring them into the 21st century” by significantly improving their standard of living, according to a government-sponsored report on the draft.


The majority of Israel’s 1.6 million Arab citizens dwell in cities and small towns in the north and centre.


But 200,000 Bedouin live in the southern desert, half in government-built townships and half in 42 ramshackle “unrecognised” villages without running water, electricity or sanitation. Civil rights groups say it is these the government should be developing, rather than the soulless dormitory towns where the Bedouins are being forced to move.


The government agency in charge of the Prawer Plan, based in the prime minister’s office, condemned the protests.


“Extremists, many of whom are not Bedouin, chose to divert the open debate about a purely social and humanitarian cause into a confrontation, falsely linked to the Palestinian issue,” it said in a statement.


“The Bedouin of the Negev, being equal citizens, deserve adequate housing, public services and a better future for their children.”


But Medhat Diab, a young Arab activist from a town outside Haifa wearing the trademark Palestinian chequered scarf, said the Bedouin and Palestinian causes were linked.


“Our ID says we’re Israeli but our identity is Palestinian,” he said. “My generation sees that there’s no justice or equality for Arabs, just taking more and more of our land.”


(Additional reporting by Baz Ratner in Hura, Ali Sawafta in Ramallah and Ori Lewis in Jerusalem; Editing by Kevin Liffey)





Arab Bedouins protest against Israeli plan to move them into towns

Congolese doctor calls for red line against rape



Pioneering doctor Denis Mukwege called Saturday for a red line to be drawn on rape in his native Democratic Republic of Congo, where tens of thousands of women are brutally attacked by the army and militia.


“Everyone is scared of genocide today after what happened in Nazi Germany. Everyone is scared of chemical weapons and I think we have drawn a red line… but when it comes to using rape as a weapon of war we equivocate,” Mukwege told AFP in Sweden.


Mukwege, who is in Stockholm to receive a prize from the Right Livelihood Foundation, has set up a hospital and foundation to treat rape victims, and has for several years been considered a favourite to win the Nobel Peace Prize.


Women are frequent targets in conflict-torn eastern DR Congo, and the doctor recounted harrowing stories of women who have been raped in public in front of their husbands and children and arrive at the clinic with their genitals burnt and tortured.


Mukwege said rape as a weapon of war had dramatic consequences for women and for the country.


“It destroys women and society, it produces children without filiation… women who can no longer give birth. This constitutes a genocide because when you destroy the female genital organs you diminish her and prevent population growth,” he said.


Every year, his hospital’s main programme for victims of sexual violence takes in more than 3,500 women and provides them with reconstructive surgery.


“The inability of DR Congo to sort out its problems followed by the silence of the international community is a major drama of our time,” the doctor said.


“We are in the 20th year of atrocities and I think that the more the years go by the more we see the groups, the militias improve their tool of torture,” he said.


Mukwege pointed to a United Nations resolution adopted in 2000 as an example of good intentions. “But there is not a solid red line yet which says: this limit can not be passed,” he said.


UN resolution 1325 calls on all member states to take specific measures to protect women and young girls, especially against rape.


Mukwege’s work has earned him numerous nominations for the Nobel Peace Prize, and he has also been honoured with an award from the UN for his human rights activities.


Last October Mukwege narrowly escaped being murdered after a group of armed men broke into his home in Bukavu. He was forced into exile in Belgium and returned to his hospital in January this year.





Congolese doctor calls for red line against rape

Iceland government launches debt relief package for households


Iceland government launches debt relief package for households

Vatican bank names consultant as director as overhaul continues



By James Mackenzie


ROME (Reuters) – The Vatican bank said on Saturday it had appointed Rolando Marranci, a consultant called in to help improve transparency, as director general to take charge of operations as the institution seeks to reform after a series of scandals.


Marranci, 60, has acted as deputy director general since July, when the then-director general Paolo Cipriani and his number two Massimo Tulli resigned after a senior cleric with close ties to the bank was arrested on suspicion of plotting to smuggle 20 million euros into Italy from Switzerland.


He previously worked with Promontory Financial Group, an outside consultancy called in by Pope Francis to help review all accounts held by the bank’s customers and tighten anti-money laundering procedures.


A former executive with Italy’s Banca Nazionale del Lavoro, Marranci’s appointment is the latest in a series of changes at the bank, formally known as the Institute for Works of Religion (IOR) as it battles to emerge from allegations it has dragged its feet in improving transparency standards.


In February, Pope Francis, who has made a cleanup of the bank a priority, appointed German lawyer Ernst von Freyberg as president of IOR. Freyberg, who has been standing in as temporary director general, will continue in his post and Marranci will report to him.


In June, Monsignor Mario Salvatore Ricca was named as prelate, who acts as secretary of the commission of cardinals at the top of the bank but who also attends meetings of the supervisory board headed by Freyberg.


The IOR, which manages funds and payment services for the Vatican and other Catholic institutions, has been tarnished by a series of scandals over the past three decades.


Most notably, it was implicated in the collapse of Italy’s Banco Ambrosiano, whose chairman Roberto Calvi was found hanging under Blackfriars Bridge in London in 1982.


The future of the bank has been in doubt ever since the arrival of Pope Francis, who has appointed two commissions to advise him on cleaning up Vatican finances and who has not ruled out shutting it down if it cannot be fixed.


Monsignor Nunzio Scarano, the cleric whose arrest triggered the departure of the previous director general, has told investigators of several abuses, including unauthorised accounts provided to outsiders.


The Vatican has passed legislation this year to make its finances more transparent, in line with recommendations from Moneyval, the Council of Europe’s anti-money laundering unit.


(Editing by David Evans)





Vatican bank names consultant as director as overhaul continues

'Hunger Games: Mockingjay, Part 1': Why You Shouldn't Expect 'Flamboyant' Costumes







The final book in the “Hunger Games” trilogy, “Mockingjay,” is a much bleaker affair than the previous two. Considering it’s the only one without a government-sponsored, televised fight to the death for entertainment purposes, that’s quite a feat. While the first two movies alternated between the run-down districts, the flamboyant Capitol, and the uniformed Hunger Games, the third movie in the series — which will encompass the first half of “Mockingjay” — will take place in the secret underground city of District 13.


Christian Cordella, a costume illustrator who worked on the first “Hunger Games” movie, is currently hard at work sketching the outfits you’ll see on Katniss and the rest of the rebels who escaped to the underground refuge in “Mockingjay.” He told MTV News that the look of the third movie’s costumes will be much tamer than the first two.



“It’s underground, so it’s not going to be too much of the flamboyant dresses,” he said. The District 13 clothes are more subdued, more military in nature than the Capitol finery.


While Cordella didn’t work on the now-in-theaters “Catching Fire,” he had a hand in bringing Suzanne Collins’ descriptions of each character to life in the first movie.


“On the first one I worked on pretty much everything from the fire dress to the Hunger Games suit,” he explained. “Hopefully they matched the expectations of the viewers. That’s the hope when you approach one of these kinds of movies.”


A costume illustrator works in tandem with the costume designer, director, and producers of a film to shape the look of each character’s costume. “It’s a tool; we are able to help make an idea clear for the director, the producers,” he said. “A lot of these people need to see where they’re going to invest their money, what’s going to be done with it. Costume illustration helps them have a better understanding of what’s really happening — what kind of fabric, what kind of design.”


With a project like “The Hunger Games,” the costume designer and illustrator are tasked with the seemingly impossible job of translating the fantastic elements from the written word to reality, something that was especially hard with the first film.


“With a movie like the first ‘Hunger Games,’ you start from scratch,” Cordella told us. “In the book it says things that really don’t make any sense realistically, because with the fantasy of writing, the mind can go [anywhere]. Then when you try to make it real you start to understand what works and what doesn’t.”


Translating a look from the page to the screen does give the designers some amount of freedom, but there are other considerations too. “You have more freedom to experiment with the characters in the situations,” he said, “but you’re also taking into account how many people are involved in the process, the budget, what you can do. So whatever you see on the movie screen at the end is the best that could have been done in that situation.”










'Hunger Games: Mockingjay, Part 1': Why You Shouldn't Expect 'Flamboyant' Costumes

Pilots Concerned Over Helicopter Safety



The number of recent helicopter incidents is a “matter for concern” following the Glasgow pub crash, says the British Airline Pilots’ Association.



The group extended its sympathy to everyone involved in the crash, which saw a police helicopter smash into the roof of The Clutha Vaults pub on Friday night.



At least eight people died and 14 were seriously injured in the incident, Sky sources say.



Investigators are trying to work out what caused the aircraft to fall from the sky into the crowded bar.



But BALPA warned about speculating on the cause of the incident before the full facts are heard.



“Whilst there will be understandable questions on why this happened, it is our experience that speculation about causes is often wide of the mark,” BALPA said.



“Nevertheless, trends in helicopter safety is a matter of concern after a number of recent incidents including those in the North Sea.



“We hope that ongoing inquiries by the Civil Aviation Authority and the House of Commons Transport Select Committee into helicopter safety will also have the opportunity to look into the circumstances around last night’s incident too.”



At least one aviation safety expert believes something “dramatic” suddenly occurred to cause the police helicopter crash.



The pilot would have had either little or no control of his aircraft in the final moments of the flight, Flight Global’s operations and safety editor David Learmount told Sky News.



But he added that although a witness has described the helicopter as dropping like a stone, there were indications that the pilot might have still had “some ability to fly” before the impact.



He said: “This type of helicopter is sophisticated and robust. It’s a very modern aircraft. I think what has happened here is that you have had an aircraft that became either uncontrollable or partially controllable.



“We just don’t know how much control the pilot did have in the final seconds of the flight. Something dramatic has probably suddenly occurred – probably some mechanical failure of some kind.”



Mr Learmount said he thought that if the helicopter had been completely uncontrollable then the crash could have been “even worse”.



The twin-engined Eurocopter EC135 T2 which came down on the pub is the third involving police helicopters in the west of Scotland.



In 1990, Sergeant Malcolm Herd died when a Bell Jet 206 helicopter crashed in bad weather at Eastwood Toll, Newton Mearns, Glasgow.



The 32-year-old father-of-four was in the former Strathclyde Police force helicopter when it struck the side of a block of pensioner’s flats and fell to the ground.



Twelve years later in February 2002 another police helicopter crashed in a field 150 yards from Upper Wellwood Farm, near the village of Muirkirk, East Ayrshire.



The three men on board – Constable Kenneth Irvine, 35, Constable Neil McIntosh, 40, and civilian pilot Alfonso Gasparro, 31 – had what witnesses described as a “miraculous” escape.



The Eurocopter EC135 T2 is of a family of aircraft that first entered service in 1996. More than 1,000 have so far been manufactured.



The T2 is a replacement for the T1 and went into production in August 2002. They are widely used by police and ambulance services and for executive transport.



In September 2007 a Eurocopter EC135 T2 crashed east of North Weald Airfield in Essex. Although the pilot and his wife were unhurt the aircraft was badly damaged.



An AAIB report into the incident said there had been a disengagement of the autotrim – used to maintain the aircraft’s position.



This had led the pilot to think he had suffered a total engine failure. He positioned the helicopter for a power-off landing in a suitable field but part of the tail of the aircraft struck the ground and the aircraft rolled on to its side.



The AAIB recommended Eurocopter review the Stability Augmentation System (SAS) switch system on EC135 helicopters “to reduce the likelihood of inadvertent de-activation of the SAS”.




Source Article from http://uk.news.yahoo.com/pilots-concerned-over-helicopter-safety-181217531.html



Pilots Concerned Over Helicopter Safety

Chemical watchdog says US to destroy Syria stockpile at sea



The United States will destroy the most dangerous of Syria‘s chemical weapon stockpile on a ship at sea, the world’s chemical watchdog said on Saturday.


“The neutralisation operations will be conducted on a US vessel at sea using hydrolysis,” the Organisation for the Prohibition of Chemical Weapons said in a statement.


“Currently a suitable naval vessel is undergoing modifications to support the operations and to accommodate verification activities by the OPCW,” The Hague-based watchdog added.


The ship operation will destroy what is known as “priority chemical weapons”, the most dangerous of Syria’s total arsenal and ones that have to be out of the country by December 31 under an international deal agreed to avert military strikes on Damascus.


OPCW spokesman Michael Luhan on Saturday declined to name the navy vessel to be used.


OPCW member states have been thrashing out the details of how to destroy Damascus’s arsenal ahead of the watchdog’s annual meeting set to start on Monday.


A final plan for the destruction of Syria’s chemical weapons — on land or at sea — is due to be approved by December 17.


Sigrid Kaag, the top UN official from the joint UN-OPCW mission, confirmed the use of a US ship to render Syria’s most dangerous chemical weapons unusable through a dilution process known as hydrolysis, and said the resulting byproducts would be destroyed by commercial companies.


“The chemical effluents, what is left when destroyed, will be treated in countries through a number of companies,” she told reporters in Damascus.


The US vessel “will not be in Syrian territorial waters,” she added.


The OPCW earlier this month adopted a final roadmap for ridding Syria of its arsenal of more than 1,000 tonnes of dangerous chemicals by mid-2014.


According to this roadmap, the “priority” weapons have to be removed from Syria by December 31 and destroyed by April 2014 and the rest by mid-2014.


The OPCW said on Saturday that 35 commercial companies have expressed an interest in destroying the lower priority, less dangerous weapons.


The watchdog’s director-general Ahmet Uzumcu said the various companies will now undergo evaluation before a suitable candidate is found.


“The companies bidding for participation in the disposal process will be required to comply with all applicable international and national regulations pertaining to safety and the environment,” Uzumcu added.


Chemical weapons experts in the past have expressed concern over the incineration of chemical weapons at sea due to the risk of toxins that may land up in the water.


Despite international consensus on destroying the chemicals outside war-wracked Syria, no country had volunteered to have them destroyed on its soil.


Syria is cooperating with the disarmament and has already said it had 1,290 tonnes of chemical weapons and precursors, or ingredients, as well as over 1,000 unfilled chemical munitions, such as shells, rockets or mortars.


A team of UN-OPCW inspectors has been on the ground since October checking Syria’s weapons and facilities.


The destruction of declared chemical weapons production facilities was completed last month and all chemicals and precursors placed under seal, the OPCW said last month ahead of a November 1 deadline backed by a UN Security Council resolution.


Some chemical weapons are destroyed through a process called hydrolysis, in which agents, like detergents, are used to neutralise chemicals such as mustard gas and sulphur, resulting in liquid waste known as effluent.


Nerve gases such as sarin are often better destroyed through incineration.


The OPCW has before requested that 798 tonnes of chemicals needed to be disposed of, as well as 7.7 million litres of effluent.





Chemical watchdog says US to destroy Syria stockpile at sea

Wrestling Japanese diplomat loses again in final Sudan bout



A wrestling diplomat from Japan lost Friday for a sixth and final time against a Sudanese Nuba opponent, but says he has achieved a different kind of victory.


Yasuhiro Murotatsu says he has helped to unify a divided and war-torn land.


The Nuba Mountains of South Kordofan state are home to a linguistically and religiously diverse group of people collectively known as Nuba.


Their form of wrestling, practised for thousands of years, is completely different from the iconic national sport of sumo in Murotatsu’s homeland.


Wrestling is central to the Nuba’s farm-based society despite a more modern form of combat that has devastated the region for more than two years.


Non-Arab rebels from South Kordofan have joined with other insurgents from Darfur, in Sudan’s west, against the Arab-dominated Khartoum government, which they complain has marginalised their regions.


Japan’s embassy says Murotatsu was the first foreigner ever to set foot onto the sandy Sudanese wrestling pitch to take on the country’s toughest.


In a pre-match interview, the 33-year-old told AFP he sees his participation as part of an effort to help bring the multi-ethnic and multi-religious Muslim-majority country together through sport.


“This is my strongest message I want to send to make Sudanese people more unified, because now Sudan is at a very sensitive stage,” he said.


Murotatsu, known as “Muro” to local wrestling fans, says the Sudanese sport is similar to more widely known freestyle wrestling in which he competed in junior high school.


Since February he has wrestled in special “friendship” matches during the regular weekly card in Haj Yousef, a poor Khartoum neighbourhood of mud-brick houses.


Murotatsu, an Arabic-speaking political officer, is a slightly built bespectacled man who on Friday faced teenaged opponent Saleh Omar Bol Tia Kafi for the third consecutive time.


The stadium, pulsing with the sound of traditional drum beats, seemed even fuller than usual for Murotatsu’s final challenge.


Dancers wearing feathered headdresses paraded among the more than 1,000 fans who squeezed inside, many standing atop the stadium walls.


A man blew a bugle made of a twisted animal horn when Murotatsu approached the ring while the thin, muscular Kafi circled the pitch holding a Sudanese flag.


To Murotatsu, scenes like this — Nuba tradition mixed with displays of Sudanese pride — prove that the wrestling has contributed to national unity.


Fans have united behind Kafi, “so I think… I achieved something” to bring them together, the Japanese wrestler said.


Kafi, 18, competes under the nickname “Al-Mudiriya”.


He told AFP earlier that he was still in high school and had been wrestling since the age of 12 after coming to Khartoum from the Nuba region with his family.


The sport is now formally known as “Sudanese” wrestling because it has grown beyond the Nuba community.


Adam Mudair Abdel Samad, chairman of the Khartoum Wrestling Federation, said the sport, and Murotatsu’s participation, has helped to promote harmony among the Nuba people in Khartoum.


“I thank Muro for playing six matches,” he told a ceremony hosted by Japanese Ambassador Ryoichi Horie on Wednesday night.


“I hope he will win this match.”


Wide coverage of Murotatsu’s exploits in the Sudanese and international media has expanded interest in this “precious culture” both abroad and in Sudan, including among non-Nuba Arab tribes, the Japanese wrestler said.


“This is a historical achievement and can be considered as successful public diplomacy,” said Murotatsu, who leaves his Sudanese post next week to pursue further education in Scotland.


He has tried various strategies during his matches, all to no avail.


In his last competition, a bare-chested Murotatsu danced and grappled for about two minutes with Kafi, dressed in a tight-fitting red singlet, before the local hero finally drove his opponent’s head into the red sand.


“He’s very strong,” Murotatsu told AFP later, with dirt encrusted on his forehead.


He was pleased with his performance but said, “I need more stamina.”


Dripping with perspiration, Kafi said his opponent had improved.


“He’s a good wrestler and will be successful if he continues his training,” he said.


“This wrestling has made a big contribution to peace.”


The two wrestlers walked up the stadium stairs together, hand-in-hand.





Wrestling Japanese diplomat loses again in final Sudan bout

'Hunger Games: Mockingjay, Part 1': Why You Shouldn't Expect 'Flamboyant' Costumes







The final book in the “Hunger Games” trilogy, “Mockingjay,” is a much bleaker affair than the previous two. Considering it’s the only one without a government-sponsored, televised fight to the death for entertainment purposes, that’s quite a feat. While the first two movies alternated between the run-down districts, the flamboyant Capitol, and the uniformed Hunger Games, the third movie in the series — which will encompass the first half of “Mockingjay” — will take place in the secret underground city of District 13.


Christian Cordella, a costume illustrator who worked on the first “Hunger Games” movie, is currently hard at work sketching the outfits you’ll see on Katniss and the rest of the rebels who escaped to the underground refuge in “Mockingjay.” He told MTV News that the look of the third movie’s costumes will be much tamer than the first two.



“It’s underground, so it’s not going to be too much of the flamboyant dresses,” he said. The District 13 clothes are more subdued, more military in nature than the Capitol finery.


While Cordella didn’t work on the now-in-theaters “Catching Fire,” he had a hand in bringing Suzanne Collins’ descriptions of each character to life in the first movie.


“On the first one I worked on pretty much everything from the fire dress to the Hunger Games suit,” he explained. “Hopefully they matched the expectations of the viewers. That’s the hope when you approach one of these kinds of movies.”


A costume illustrator works in tandem with the costume designer, director, and producers of a film to shape the look of each character’s costume. “It’s a tool; we are able to help make an idea clear for the director, the producers,” he said. “A lot of these people need to see where they’re going to invest their money, what’s going to be done with it. Costume illustration helps them have a better understanding of what’s really happening — what kind of fabric, what kind of design.”


With a project like “The Hunger Games,” the costume designer and illustrator are tasked with the seemingly impossible job of translating the fantastic elements from the written word to reality, something that was especially hard with the first film.


“With a movie like the first ‘Hunger Games,’ you start from scratch,” Cordella told us. “In the book it says things that really don’t make any sense realistically, because with the fantasy of writing, the mind can go [anywhere]. Then when you try to make it real you start to understand what works and what doesn’t.”


Translating a look from the page to the screen does give the designers some amount of freedom, but there are other considerations too. “You have more freedom to experiment with the characters in the situations,” he said, “but you’re also taking into account how many people are involved in the process, the budget, what you can do. So whatever you see on the movie screen at the end is the best that could have been done in that situation.”










'Hunger Games: Mockingjay, Part 1': Why You Shouldn't Expect 'Flamboyant' Costumes

Glasgow Helicopter Crash: 'Hopes For Survivors'



Police have warned that the number of people killed when a police helicopter crashed into a busy Glasgow pub will rise in the “coming hours” after confirming one death.



The Chief Constable of Police Scotland said they were now dealing with a “search and recovery operation” after rescue teams worked through the night to try to pull people from the wreckage of The Clutha Vaults pub. 



But he said they were still hoping to find survivors alive in the remains of the building.



According to Sky News sources at least six people died when the helicopter crashed through the roof of the lively city nightspot, which was packed with more than 100 people watching a band, at 10.25pm on Friday.



Eyewitnesses have described the helicopter “falling like a stone” on to the roof, while some have suggested that there was a problem with the aircraft’s rotor.



Grace MacLean, who was inside the pub when the helicopter struck, told Sky News: “Someone started shouting and the band cut the music … and then all of a sudden this cloud of dust came.



“You couldn’t breathe for inhaling a mouthful of dust. You couldn’t see anything. You were clawing at the walls to see where the exit is.”



William Byrne, who was listening to the band with his brother, said: “There was a huge bang and there was a couple of seconds of almost stillness after this band and then the whole other side of the pub from where I was collapsed and then the roof and gantry of the bar collapsed.”



Footage showed confusion outside the pub in the moments after the helicopter hit the roof and those inside the building told how it was 15 minutes before they knew what had happened.



People at the scene told how they worked to form a human chain to carry unconscious people out of the pub .



Among the helpers was Labour’s international development spokesman Jim Murphy, who told Sky News: “I just saw dozens and dozens of people coming out of the pub. It is a horrible, horrible scene.”



Speaking at a news conference on Saturday morning, Chief Constable Sir Stephen House said: “Sadly at this time I can confirm one fatality. We expect that number to increase over the coming hours.”



He confirmed that a further 32 people had been taken to Victoria Infirmary, Glasgow Royal Infirmary and the Western Infirmary with “multiple injuries”.



Sir Stephen said that specialist teams were working to stabilise the building in a “difficult and sensitive” operation and said:  ”We’re still in a search and recovery phase, and as always our prayers are that it is successful and we do recover people alive.”



He said: “There are people on the scene trying to make contact with anyone who may be alive… All we can do is confirm there has been one fatality but we are fearful there will be more.”



Rescue teams had said they had contacted people inside the pub overnight but Sir Stephen could not say when the last contact had been made.



One worried relative at the scene of the crash, Alice Healy, told Sky News how she had not heard from her cousin who had been inside the pub when the aircraft hit.



Another, John McGarrigle, 38, said that he had been told by someone inside the pub that his 59-year-old father, also called John, had been sitting at precisely the spot the aircraft had come down and that he had been killed but that authorities had not been able to confirm this.



First Minister Alex Salmond said: “This is a black day for Glasgow and Scotland but it’s also St Andrew’s Day and it’s a day we can take pride and courage in how we respond to adversity and tragedy.”



He praised the “instinctive bravery of ordinary Glaswegians” who went to the rescue of those trapped inside the pub and the emergency services.



The police have given no details of what has happened to the crew of two officers and a civilian pilot on board the helicopter.



It is still unclear what caused the crash, with one eyewitness saying the aircraft “dropped like a stone” and police have now launched a full investigation into the crash under the direction of the Crown Office and Procurator Fiscal Service. 



Investigators from the Air Accident Investigation Branch (AAIB) were on the scene on Saturday morning trying to piece together what had happened.



Aviation expert David Learmount, a pilot and safety editor at the aviation news website Flightglobal, told Sky News: “This type of helicopter is sophisticated and robust. It’s a very modern aircraft. I think what has happened here is that you have had an aircraft that became either uncontrollable or partially controllable.



“We just don’t know how much control the pilot did have in the final seconds of the flight. Something dramatic has probably suddenly occurred – probably some mechanical failure of some kind.”



The British Airline Pilots’ Association said that the crash did raise concerns over helicopter safety.



A tent had been erected on top of the pub on Saturday morning over the wreckage of the aircraft, whose rotor could be seen protruding from the roof.



The helicopter, a EC135 T2, which is widely used by the police, has a good safety record, with one incident in 2007 after which the AAIB asked manufacturers Eurocopter to look at a stability system switch.



Members of Esperanza, the band playing at the time of the tragedy, all escaped from the wreckage unharmed.



They posted on their Facebook site: “Despite the situation everyone was so helpful and caring of each other. The police, ambulances (and) firefighters all did a stellar job and continue to do so today in extremely difficult conditions.



“Our biggest concern is that everyone is found and can get the care and help they need.”



In a statement, Prime Minister David Cameron said: “This is a tragic event and our deepest sympathies are with the families and friends who lost a loved one last night.



“I want to thank the emergency services who worked tirelessly throughout the night and I also want pay tribute to the bravery of the ordinary Glaswegians who rushed to help.



“We have offered the Scottish Government our support in any way we can and we are all wishing a speedy recovery to those who are injured.”



Labour leader Ed Miliband told Sky News: “There will be lots of people worried about their loved ones who are unaccounted for, and my thoughts are with them, and also with the people of Glasgow, who are an incredibly strong people, who showed last night in reaction when the helicopter hit, great bravery, great courage, great calm, in the midst of all this.”



A number of St Andrew’s Day events were being cancelled on Saturday morning as the tragic toll of Friday night’s crash started to become apparent.



Flags across Scotland were flying at half mast throughout the weekend and the Scottish Football Association said there would be a minute’s silence at the 13 Scottish Cup games on Saturday.



Members of the public concerned about relatives who may have been involved in the crash can call an emergency helpline on 0800 092 0410.




Source Article from http://uk.news.yahoo.com/glasgow-helicopter-crash-least-six-dead-124812665.html



Glasgow Helicopter Crash: 'Hopes For Survivors'